![]() Her name comes from the phonetic spelling of Saoirse, an Irish or Scottish name. The transmigration and translation of ideas that have contributed to the G&L phenomenon are examined in context with the formulation of the gothic aspects of the Gosurori identity. Seersha is a songwriter, recording artist, and producer hailing from ATL. For the Gothic Lolita, these influences were also fused with Neo-Victorian characteristics of gothic subcultural fashions, including elements of mourning dress, and accessories such as cameos, crosses, crucifixes, and rosary beads. Whilst it emerged from “little-girl” Japanese street styles of the 1970s, it transitioned through the New Romantic 1980s, picking up more frills, lace and ribbons on the way. The image of this “Lolita,” which may either be categorized as “Gothic” or “Sweet,” or both, is inspired by traditional European clothing from the French Rococo and Victorian periods. The Japanese Lolita subculture, now becoming an increasingly worldwide preoccupation, is represented by women who dress as doll-like children. Although it discusses G&L as a whole, it places a specific focus on the Gosurori (Gosu-loli, Gothloli, or Gothic Lolita) by tracing the evolution of the fashion-based Lolita subculture, from its historical, transcultural origins, and the development of its meanings. This paper explores the concept of Gothic in relation to the contemporary Japanese Gothic & Lolita movement (G&L).
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